Pornography or Cinematic Verisimilitude?

A Critical Examination of the Explicit Sexual Depictions in Neo-Nollywood Films

Abstract

This article critically examines the explicit sex scenes in neo-Nollywood films in light of the tension between cinematic realism and pornography boundaries. It probes whether such scenes serve an authentic narrative purpose, enhancing the realism and character depth of such a story, or run the risk of being gratuitous, sensational displays devoid of substance. The study adopted a qualitative research design with the descriptive method since the data involved are visual. Our arguments are framed by cognitive and psychoanalytical film theories. Three purposely selected films were artistically, culturally, and ethically analysed, focusing on the implications that the sensual portrayals have on audience perception, filmmaker intent, and cultural impact. It places the emerging aesthetic of Neo-Nollywood within the larger discourse of realism, cultural sensitivity, and audience expectation, all while problematising this demarcation point between art and obscenity within African cinema. Evidence shows that, with the recent shift in Nigerian cinema toward more courageous storylines and relaxed censorship, filmmakers have increasingly employed explicit content to depict intimacy and complex relationships. The study concluded that the Neo-Nollywood quest for global relevance must not be allowed to desecrate its moral obligation. Nigerian filmmakers have to chart a path that will marry verisimilitude with moderation, nurturing storylines that appeal both ethically and aesthetically.

Keywords:

Pornography, cinematic verisimilitude, sexual depictions, Neo-Nollywood, cultural sensitivity

https://dx.doi.org/10.56279/ummaj.v11i2.8