Vol. 12 No. 1 (2025): Umma Journal of Contemporary Literature and Creative Arts

Articles

• Visualising Kenyan Sociological Films through Camera Eye and Mise-en-scène

  Ogutu Fredrick Oiye, Michael Kamau Mwangi, Elias Mokua, Leah Muchemi Wangui

  1-19

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• Inverted Reality and Cultural Response to Modernity in Wole Soyinka’s The Lion and the Jewel (Le Lion Et La Perle)

  Azeez Sesan, Olubunmi Alaje

  20-42

  • PDF

• NFTs Are Unwanted Here! Impact of Blockchain Technology on Elevating Tanzania's Art Scene

  Erick Edward Mgema

  43-67

  • PDF

• Souvenirisation in Social Media Comparison of Tanzania and South Korea Sellers

  Maximilian Mfaume, Robert Suphian, Dev Jani

  68-89

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• Who Should Live or Die? Understanding the Politics of Necropolitics in John Mwakyusa’s It Can’t Be True and Yes, I Did It

  Yunusy Ng'umbi

  90-114

  • PDF

• Dynamics of Power, Widowhood, and Female Sexual Agency in Ogbu’s The Moon Also Sets

  Joyce Solomon Swila

  115-139

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• Short Story Sentence Types and Complexity Analysis of Magogodi Makhene’s 'The Virus' and Arinze Ifeakandu’s 'God’s Children Are Little Broken Things'

  Zelda Elisifa

  140-160

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• Imagining Step-motherhood in Deus Lubacha’s If She Were Alive

  Andreas Mauruce Komba

  161-179

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• Female Sites of Power The Bride Price Tradition in Uganda and a New Historicist Reading of Okot p’Bitek’s White Teeth

  Elizabeth Kweka

  180-207

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• Christianity, Monogamy and Second Marriage Politics Social Inclusion Rethinking in Sitwala Imenda’s 'Unmarried Wife'

  Auson Njunwensi Wincheslaus

  208-230

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