Deviating from Africanicity: The Representation of Love when a Woman Seduces a Man in Tanzanian Music
Abstract
In many Tanzanian societies, love relationships are significantly shaped by traditional ‘African values’. A prevalent aspect of these values dictates that the initiation of a romantic relationship between a man and a woman should originate from the man or his family, rather than from the woman or her family. This conventional portrayal of love is widely reflected in Tanzanian cultural and literary works, including songs, dramas, and novels. However, some of these cultural works diverge from this ‘African value’ by depicting scenarios where women initiate romantic overtures toward men. This article examines the portrayal of love from the perspective of male characters when women deviate from this ‘African value’ by directly seducing a man. It analyses this phenomenon as depicted in two Tanzanian dance songs and two Bongo Fleva songs, collected through the content analysis method. Drawing on narrative and African feminism theories, the article establishes that men who have been seduced by women perceive this as an indication of unconditional love. Furthermore, the analysis reveals that the examined Tanzanian songs advocate for women's freedom to express their romantic feelings, suggesting that relationships initiated by women are often robust and enduring. This holds true despite men’s evident desire to maintain patriarchal positions and control within these relationships. Ultimately, the article underscores the significant role of songs and other cultural works in reflecting and shaping gender relations within a given society.
