| Issue | Title | |
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | 12 Chiefs with the Same Face: A Formal Analysis of the Maji Maji War Heroes’ Statues | Abstract PDF |
| Dominicus Zimanimoto Makukula | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | African video films: Stereotypes and narrative crumple in the quest for transnationality in Dar 2 Lagos | Abstract PDF |
| Abdullah Hamza Mohammed | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | ‘Maasainess’ and Whiteness: The Ruins of Colonial ‘Penetration’ in Hoffman’s The White Maasai and Budgor’s the Warrior Princess | Abstract PDF |
| Neema Eliphas Laizer | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | ‘We are like refuse in front of the guest of honour’ : Dancers’ Struggles and Tribulations in Tanzania | Abstract PDF |
| Daines Nicodem Sanga | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Crux of the Bongo Movie from a Digital Disruption Lens | Abstract PDF |
| Issa Athuman Mbura | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Development Journalism Practices on Tanzania’s Social Media: An Analysis of YouTube Online TV | Abstract PDF |
| Elisha Merick Magolanga | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Effects of Digitalization on the Three-tier Structure of Tanzania’s Film Industry | Abstract PDF |
| Issa Athumani Mbura | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Familial Space and Children’s Social Identity in Elieshi Lema’s Parched Earth: A Love Story | Abstract PDF |
| Andreas Mauruce Komba, Davis Nyanda | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | Fluidity and fixity of performer, audience and performing space | Abstract PDF |
| Angelus Mnenuka | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Indigenous Tanzanian Music Traditions in Roman Catholic Church and Changing Social Context | Abstract PDF |
| Kassomo Athanas Mkallyah | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | Messenger and Pupils of Death in Samuel Richardson’s Clarissa | Abstract PDF |
| Michael Andindilile | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Mini Devils: Dynamics of Power in a Community of Laughter | Abstract PDF |
| John Wakota | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | Re-writing motherhood in Flora Nwapa’sEfuru | Abstract PDF |
| Káyòdé Omoniyì Ògúnfolábí | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Sangu Plant Tales: An Eco-portrayal of Human Floral Dependency | Abstract PDF |
| Michael Joel Kalenge | ||
| Vol 8, No 1 (2021): UMMA: The Journal of Contemporary Literature and Creative Arts | Sexism and misogyny in selected proverbs of the Chaga of Machame | Abstract PDF |
| Emmanuel Penion Lema | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Songs and Language: Children’s Songs and the Learning of Kiswahili in Dar es Salaam, Tanzania | Abstract PDF |
| Kassomo Athanas Mkallyah | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Symbolism and Death: Class-based Ritualised Performance in the Basukuma Burial Ceremonies | Abstract PDF |
| Emmanuel Kilatu | ||
| Vol 9, No 1 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | The Making of the ‘New Man’ in Chimamanda Ngozi Adichie’s Americanah | Abstract PDF |
| Mukoi Musagasa | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | The Mkwawa Portrait Conundrum: A Quest for Facial Similitude | Abstract PDF |
| Dominicus Zimanimoto Makukula | ||
| Vol 9, No 2 (2022): UMMA: The Journal of Contemporary Literature and Creative Arts | Waka Music as a Commentary on Yoruba Society in Post-Colonial Nigeria: A Review of Two Female Musicians | Abstract PDF |
| Mutiat Titilope Oladejo | ||
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